Pixar is an interesting beast when it comes to their stories. The formula is pretty traditional and utilized in almost all their films. Buddy comedies about two opposing leads on an emotional adventure that sees at least one of the two learning something valuable about life. It’s been around since Toy Story, and it has worked well over the years.

What makes a Pixar title distinct is the creative worlds, comedy, and characters shared. The joy is seeing a group of animators play around with a new world, establishing fun rules and visuals. Soul, their latest title, is no exception. If anything, Soul is perhaps the most intriguing and fascinating world they have made thus far.

With the clever imagination of director Pete Docter and the distinct writing of co-director Kemp Powers, Soul exceeds as an engaging feature that combines clever comedy with distinct existential themes. All the while, helped by two engaging and remarkable leads who bring so much personality. It’s certainly a heady work, but that only leads to more rewatches as you decipher its ideas. I guess that makes it a perfect fit for Disney+, because you can keep watching it absolutely free.

Pixar Tops Itself

The joy of seeing a new Pixar title comes from how they innovate computer animation. And this is no exception. If anything, it’s the most technically impressive title they ever made. The first 10 minutes showcase the beauty of New York City, and it’s certainly something incredible. The city feels so alive, helped by the countless amount of extras and the visuals. The cinematography here really shows off the beauty of New York, while the lighting is crisp and dynamic, allowing us to feel as if this world is alive.

Of course, the big scene stealer is The Great Before, the land our hero Joe discovers. Everything about this place feels ethereal and surreal. The backgrounds are abstract, and the character designs are all unique, with the Jerrys, a group of flat paternal figures, being gamechangers. The way they move and interact with the world is something I’ve never seen before in computer animation.

And again, seeing all these worlds, both featuring lush colors and clever abstract moments, is an absolute feast for the eyes. It’s clear the Pixar team had a blast creating these unique characters and worlds, and it’s hard not to get wrapped up in the fun. The musical score, by Trent Reznor & Atticus Ross, as well as Jon Batiste, is also fantastic. They add so much to the world and characters that it enhances the drama, stakes, and emotions tenfold. If anything, the music is worth a viewing alone.

It’s the Little Things

One of the most interesting aspects of the film is its messaging. Specifically, what is our purpose in our life? Do our passions really define us? What can we do to really appreciate what life is about? What is the spark that defines us? All of these abstract ideas are discussed. And admittedly, the film doesn’t quite totally land with all these moments. Some emotional beats and ideas feel a bit underdeveloped or don’t gel well with the story.

But when the movie lands, it really, truly lands. Helped especially by the two main characters. Joe, a jazz-obsessed man thrown into the land of The Great Before and wants to get back home. And 22, a soul who has no interest in going to Earth. Their banter and dynamic is consistently funny, and the things they learn from one another is great. Joe discovers from 22 that life isn’t just about one set goal, but about how little sparks of joy and the people you love give you some of the most exciting moments. All the while, 22 discovers from Joe how life doesn’t have to be grand or exciting. Rather, just stopping a moment to take in the little moments can give you more value.

It’s a really heartfelt and sincere message, boosted by the strong vocal performances of both Jamie Foxx and Tina Fey. And it’s one that is very much needed. People get wrapped up in their passions, and while they can lead to good things, this obsession can cause people to be lost, confused, and distracted. At a time when the world seems confusing and frustrating, this movie allows us to understand that our lives can be grand, so long as we look around us and appreciate what we have. And even if things aren’t going our way, that doesn’t mean we’re a failure. It’s a beautiful idea that is executed with the kind of emotional poignancy only Pete Docter can do.

To Sum Up…

Soul is a movie with a lot of spinning plates. There’s a lot of ideas, characters, worlds, and animation techniques all on display here. And while Pete Docter and Kemp Powers do stick the landing, it doesn’t feel quite as tight or cohesive as their previous works. However, it’s still really, really good. There’s a beautiful message about life wrapped up with hilarious gags, stunning visuals, and heartfelt leads. All the while, the Pixar charm still rings true throughout every sequence.

Soul is certainly a distinct film, and one that at the very least is an absolute joy to discuss. Both for its attributes and its shortcomings. And in a way, that’s a sign you got a really strong and memorable title on your hands.

If you like to read more Disney+ reviews, please check my Plus or Minus series, which reviews every movie on the service.